By Sarah Marsh
When Toa Fraser began his first draft of No.2, he didn’t have to look very far for inspiration. While not autobiographical, the show draws upon various characters in his own life, and reveals a piece of the Fijian community in New Zealand, of which he is a part. Fraser wrote the original one-woman play in 1999, with the intention of one day turning it into a feature. He began the process of converting it into a screenplay in 2001, and spent the next several years crafting and shaping it. Fraser felt that the concept of a one-woman play would translate better into a screenplay. Just as a film does not have the distraction of set changes or actor exits and entrances, a one-woman show could just as easily jump between different scenes and characters.

Ruby Dee from the film No. 2

Mount Roskill, New Zealand
Fraser was wary of turning over such a personal story into the hands of strangers. From the beginning, he was adamant on directing both the original play and later the film himself, despite any directing experience. He was finally able to convince producers of his capability, and the resulting success story has no doubt been highly rewarding. The film version of No.2 debuted at the Sundance Festival in 2006, where it was awarded the World Dramatic Audience Award. Meanwhile, the story in its original form, the one-woman play, has toured steadily and successfully all over the world, to critical and audience acclaim.

Madeleine Sami

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